I recently read a review of a book called 1001 Books You Must Read Before You Die. It’s like one of those “100 best” lists on steroids. Typically, I will have read a respectable percentage of books on most lists (English major, no social life as a teenager, lived in North Africa with no TV for three years = lots of reading time). But I hadn’t read most of (nor even heard of some of) the books named in the review.
Then I thought, wouldn’t it be great to have a list that didn’t inspire either misplaced pride or self-loathing? How about a list of just really satisfying reads? I decided to compile one. It’s completely idiosyncratic, reflecting my taste only. There’s not a “should” or a “must” on this list. If on your deathbed you realize you haven’t read a one of these, you have my permission to die happy nonetheless.
My criteria for a satisfying reading experience are people (memorable characters); place (evocative setting); and plot (a good, chewy, complicated, surprising, yet grounded-in-reality story line). Here, in alphabetical order, are my top ten:
Charlotte Brontë, Villette. I’ve never met anyone who likes Villette as much as I do, and I haven’t met very many people who have liked it at all. There’s something about this novel, though, that tugs at my heartstrings. Lucy is one of the few examples in nineteenth-century literature of a truly independent woman who comes and goes as she pleases. She and Paul are both quirky characters, like no one I’ve ever met in real life, yet I have no problem believing that they could be real people. And I just love how Brontë takes the story down a fairly traditional path for the first half, and you’re pretty sure you know exactly where she’s going, and then Bam! left turn.
Robertson Davies, The Cornish Trilogy. This series by the renowned Canadian author — The Rebel Angels, What’s Bred in the Bone, and The Lyre of Orpheus — is artsy (dealing with writers, painters, and musicians, respectively), juicy, and meaty. Thanks to Davies, I knew who Paracelsus was when I applied for a job at a company named after him (hint: feces is involved). And, bonus: According to Wikipedia, “Davies is one of the authors mentioned in the Moxy Früvous song ‘My Baby Loves a Bunch of Authors.’”
Charles Dickens, Bleak House and Our Mutual Friend. Both of these books are great in the same way, so I couldn’t choose one. They both have memorable characters and a plot you could get lost in for days. I’m tempted to give the edge to Bleak House, but that may be because I enjoyed the BBC adaptation so much. (Check it out: Scully is amazing as Lady Dedlock, and Mr. Guppy is not to be believed).
Louise FitzHugh, Harriet the Spy. Never gets old; feels like it was written yesterday, especially since Harriet’s journal is kind of a proto-blog. As someone who wants to be a writer when I grow up, but only manages to record gossip about my surroundings, I still identify with Harriet.
Ford Madox Ford, The Good Soldier. I read this in college for a class Brit Lit, fell instantly under its spell, and have fallen in love again on every re-reading, although I can’t really put my finger on why. It’s a great example of an unreliable narrator, and also is one of those books that makes you wonder how the British maintained their empire for so long.
E.M. Forster, Howards End. Every person in this book seems like someone I wouldn’t like in real life, and yet I love them all. That’s kind of the point of the book; that our life’s work is “only to connect” with others, and that if we try hard enough we can connect across class, across politics — even across artistic sensibilities, or lack of them.
Elizabeth Gaskell, Wives and Daughters. This is one of Gaskell’s less melodramatic, more bittersweetly realistic stories. You’ll come for the romance but you’ll stay for the characterizations. Her depiction of a blended family, neither blissfully happy nor utterly miserable, is a highlight.
Thomas Hardy, Jude the Obscure. Jude stands out on this list as one of the few without a happy ending, but I’ve always liked Hardy, and something about Jude’s aspirations to the university gripped me. I may have been overly influenced by the movie adaptation with Kate Winslet as Sue Bridehead (another independent female, at least for a while).
Paul Scott, The Raj Quartet. This set of books was the basis for the “Jewel in the Crown” BBC miniseries. I read the books back in college, saw the miniseries recently, and then re-read the books. The kernel of the story is the rape of an Englishwoman in in India during World War II. Over four volumes, Scott returns to this story again and again, exploring it from different angles, adding details from different viewpoints, and weaving in other stories as well. His point of view is mostly English, but his sympathies are more balanced than in a lot of colonial lit.
Dodie Smith, I Capture the Castle. This is a fairy tale that is completely grounded in reality. I somehow missed it when I was sixteen, but it was just as good when I caught up with it in my thirties. The setting is especially magical. Smith also wrote 101 Dalmatians, a book I also loved as a child.
Anthony Trollope, the Palliser novels. It took me a long while to get to Trollope. I was underwhelmed by the Barsetshire chronicles in college, and then read Phineas Finn when I was in the Peace Corps and thought there could not be a duller subject for a novel than Parliament. Trollope impressed me as one of those quiet, “domestic” novelists. A few years ago, though, I caught the BBC adaptation of The Way We Live Now on TV and saw how wickedly sharp he could be. I consequently picked up The Eustace Diamonds and really admired how Trollope made avaricious Lizzy sort of sympathetic during the marvelous hunting scenes. Then I read all six pretty much non-stop, even Phineas Finn and Phineas Redux. The day I put the last one down was a solemn day in my life.
Connie Willis, Doomsday Book. Willis is a sci-fi writer who has written two time-travel novels: this one, and the considerably lighter To Say Nothing of the Dog. Doomsday Book is set in future England (where, as Husband is fond of pointing out, they’ve invented time travel but still can get a busy signal when they place a “trunk call”) and in England during the Plague. I found it entertaining on so many levels — as a historical novel, as a mystery, and as traditional sci-fi. It really brought the Black Death, uh, alive for me.
What’s on your “most satisfying” list?